In a world where we often find ourselves torn between our work and passions, Vlatko Miloshevski, a seasoned computer science professional by day, transforms into a dedicated fine art hunter and collector when the sun sets. The duality of his life reflects a deep passion for both the digital and artistic realms, a trait that beautifully culminates in his remarkable endeavor - the Lexicon of Foreign Painters in Macedonia from 1850 to 1950.
Tihomir Rusev Kodzamanov (1892 - 1975), Свети Јован Канео 1943, oil on canvas, Vlatko Milosevski’s private collection;
Source: V.Milosevski
Discovering the Artistic Heritage of Macedonia
Vlatko's Lexicon is more than just a collection of names and artworks; it is a labor of love, an attempt to unearth and document the activities of foreign painters, illustrators, graphic artists, sculptors, and art photographers who visited Macedonia and created masterpieces inspired by the land, culture, tradition, nature, and historical events of the region. This monumental work delves into a century of Macedonian history, from 1850 to 1950, capturing the essence of a region marked by dynamic changes, social and political upheaval, and a rich tapestry of ethnicities.
Macedonia in this context extends beyond modern-day borders. It encompasses the territories of the modern Republic of North Macedonia, Aegean Macedonia in Greece, Pirin Macedonia in Bulgaria, and regions around Ohrid, Prespa lakes, and various surrounding villages in Albania. "Work of Art" in this lexicon comprises various fine art products, including oil paintings, ink drawings, chalk, pencil, gouache, pastel drawings, hand-made illustrations, art photography, engravings, etchings, sculptures, and more. These diverse artistic expressions provide windows into the evolving art movements and styles that characterized the period.
The allure of the Macedonian region was a common thread that attracted foreign artists. They were captivated by the vibrant colors of folk attire, the authenticity of daily life, and the region's unique architecture and landscapes. These elements served as their muse and took shape in a myriad of artistic expressions.
Маргрит Портие (Marguerite PORTIER ( Lyon 1893- Cugand 1992). Little Church St.Climent („Мал Св. Климент, Охрид“), 1930, aquarelle, Vlatko Milosevski’s private collection;
Source: V.Milosevski
Exploring a Century of Artistic Evolution
The period from 1850 to 1950 was a transformative era in the art world. It saw the evolution of various art styles, from the European Romantic School and Orientalism to impressionism, fauvism, expressionism, and cubism. The artistic interpretations of Macedonian themes within these styles reveal a rich tapestry of creativity.
The post-World War I era ushered in French and German modernistic influences. Foreign painters who had studied in Paris or Munich brought these influences on the Macedonian intellectuals in the 1920s and 1940s. This period also witnessed traces of Cubism and, subsequently, socialistic realism.
The historical context of this era was equally dynamic. It witnessed the fall of the Ottoman Empire, national liberation movements, Balkan wars, the Great War, the creation of Balkan states, the Second World War, and liberation. These pivotal historical events lured foreign painters to Macedonia. Some came out of curiosity, while others were driven by anthropological, political, or humanitarian interests. They documented the region, creating windows to the past and offering an exciting glimpse into history.
The Path Forward
The Lexicon of Foreign Painters in Macedonia, 1850-1950, is a monumental work, but it's only the beginning. Vlatko envisions a deeper, collaborative study involving experts from Greece, Bulgaria, North Macedonia, Albania, Serbia, Turkey, and beyond. This research would enhance our understanding of the region's rich artistic heritage, transcending borders and uniting diverse ethnicities in a shared appreciation of fine art.
The Lexicon, while providing basic biographical data of the artists, serves as a valuable resource for future in-depth studies by art historians and enthusiasts.
It is an invitation to explore how the Macedonian period of each artist influenced their work and lives, offering insights into the fascinating connections between art, history, and identity.