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Труба у српској култури / Truba u srpskoj kulturi / The Trumpet in Serbian Culture

Re: Труба у српској култури / Truba u srpskoj kulturi / The Trumpet in Serbian Culture

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The history of the trumpet in Serbia

Summer is here, and one of the summer festivals that awaits us is the Guča Trumpet Festival, known as Dragačevski sabor trubača, one of the largest and most famous music festivals in Serbia and the world. It takes place every year in August in the small town of Guča in the municipality of Lučani in western Serbia. This event celebrates traditional Serbian folk music and especially the art of trumpet playing by bringing together the best trumpet orchestras from Serbia and the diaspora. This festival, known for its spirit of joy and unity, is a real destination for all those who want to get to know Serbian cultural identity, hospitality and tradition better. The existence and realization of this festival is a good occasion for a brief review of the trumpet as an important instrument in Serbian culture.

The trumpet was introduced to the Serbs by the Ottoman Empire and the Austro-Hungarian military formations. Originally, the trumpet was used for ceremonial and military purposes, but in the mid-19th and early 20th centuries it was increasingly used in civilian areas of Serbian life, e.g. at various ceremonies, festivals, weddings and funerals. Thus, the military trumpet was also used to play music for entertainment and celebrations, which led to the gradual development of authentic playing styles characteristic of the various regions of Serbia.

Of all the regions where the trumpet became an important instrument, western and southern Serbia stand out. In the playing of true masters and their orchestras, the trumpet has the power to evoke strong emotions, from joy to sadness, from the fast rhythms that characterize the music of southern Serbia to the soulful ballads that are characteristic of western Serbia. In any case, trumpet music is always a combination of folk melodies and oriental influences, with the military training of the orchestras arousing admiration. It is important to mention that Roma orchestras traditionally occupy a prominent position in the trumpet scene and that the music they create is an important reflection of their community, their culture and their collective memory.

Among the most famous trumpeters and orchestras of the twentieth and twenty-first centuries are Boban Marković, Dejan Petrović, Ekrem Mamutović, Fejat Sejdić, etc. In addition to their outstanding musical performance, the significance of these artists lies in the fact that they have transcended the boundaries of Serbian and Roma folk music with their musical creativity, giving it a broader meaning by mixing it with jazz, classical and electronic music and bringing it closer to trumpet lovers all over the world.